Neil CraverMehr lesen...

Neil Craver

As a youth in North Carolina Neil Craver begun his path as an abstract painter and figurative sculptor. His motivation grew from his interest of psychophysical effects of chroma. Photography holds all the intrinsic values of all the other arts but differers in the fact the it’s the foundation of existence. His creations are the exploration of his inner facilities in the pursuit of contemporary knowledge expressing “original thoughts”. 
“Nothing can exist without the photon, and every aspect is controlled by it’s usage”

 

Find more information about Neil Craver on http://omni-phantasmic.com

Untitled 498 | 2011
  • Untitled 706 | 2011
  • Untitled 177 | 2011
  • Untitled 357 | 2011
  • Untitled 633 | 2011
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  • Untitled 52 | 2011
  • Untitled 258 | 2011
  • Untitled 321 | 2011
  • Untitled 498 | 2011
  • Untitled 603 | 2011
  • Untitled 238 | 2011
  • Untitled 660 | 2011
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  • Untitled 357 | 2011
  • Untitled 240 | 2011
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  • Untitled 503 | 2011

OmniPhantasmic

OMNI
A combining form denoting all, every, everywhere; as in omnipotent, all-powerful; omnipresent; omnivorous. 


PHANTASMIC
1. Something apparently seen but having no physical reality; a phantom or an apparition. Also called phantasma.
2. An illusory mental image.
3. In Platonic philosophy, objective reality as perceived and distorted by the five senses.


This project is meant to be consumed with your emotions, and not simply perceived with your sense organs. I wanted a transcendental meaning behind them; not only with the use of chromatics and aesthetics. But with my  intended focus be on the philosophical theories, I wanted a “subliminal composition” to create an under tow of messages to stress the strong influences of unconscious elements affecting and driving people's lives. With the creation of a strong undercurrent of incommunicable thoughts; this will be the stage for illuminating the subconscious intellect into absolute perception.

 

The visual aesthetics are purely symbolic in their thought application and structure; with decomposing forests of broken memory connections, and tumbling of vertigo into the correct positions of phenomenal reality. The  shallowness of the area above the horizon line indicates the division of the limited amount of information consciously perceivable (atmosphere-above) and the larger mass storage of all the sense information, rationalizations,and prejudices of the  subconscious below (hydrosphere-below).  The nexus of contingents between drowning and floating, falling and flying, dying and living are some of the main unphysical-intangible themes in this series.

 

A dominant temporal element of composition would be the use of the female form. I used the intrinsic values of this object to exploit and illustrate the submerged network of the unconscious condemnation and restriction of the nude form in popular society. With this formation of energies being repressed in the subconscious state, one's behavior could start to dissolve the foundation of the self. With no outlets for expression, one could only predict the unconscious wishes could turn into anxiety and transform into synthetic states; such as phobias,aggression, and other maladjusted personality disorders.


 
What you can perceive and process is an extremely finite portion of what you receive from the physical environment. And to truly grasp the vexing questions of your inner facilities, you must open yourself to a flood of unrestricted information. So one must dive into the cloudy placid waters of the subconscious world to uncover a linkage between the conscious and the subconscious mind. Once the excavation is started; the illumination of the self imposed restrains of values, ideas, and moral codes will dissolve. When the subconscious floods pass society’s imprisonment; starting a process of uncontaminated awareness; a penetrating understanding will unfold!

OmniPhantasmic

  • 40 x 60 cmEdition limitiert auf: 99 + 1 AP

    • Print: GICLÉE FINE ART PRINT AUF HAHNEMÜHLE BARYTA PAPIER. SIGNIERT UND NUMMERIERT VERSO UND MIT ZERTIFIKAT. PAPIERGRÖSSE: 40 X 60 CM | MOTIVGRÖSSE: 34 X 51 CM

      Rahmung: RAHMUNG Mahagoni Naturholz.

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