• The Drop
    • Mother Crows Portfolio
    • spiritedaway
    • Flower girl fin
    • delusions
    • the shop 2
    • Proof
    • delusions
    • Defying gravity
    • The Expedition
    • Darkcloud
    • Calender Hung itself
    • Princess Alyssabeths Belated Birthday
    • Creationism
    • Balloontree
    • Butterfly Tatoo
    • Butterflies Texture
    • Breatherrealfin
    • Alice found some shiny things
    • Alive Portfolio
    • Amazing Grace Fin
     

    Lissy Elle

    "My work is made of and inspired by childish things. Tutus and tea parties. Porcelain dolls and Disney movies. The love of learning and exploring that we as adults lose along the way. Walking through a forest barefoot. Talking to yourself in a silly voice. Building forts during a thunderstorm. Battling dragons and monsters in your mind. Coming home, safe and sound, and turning your adventures into art." 

    • Brooklyn`s Finest 01
    • Brooklyn`s Finest 02
    • Brooklyn`s Finest 03
    • Brooklyn`s Finest 05
    • Brooklyn`s Finest 06
    • Brooklyn`s Finest 07
    • HELLYES
    • BOWERY ROSE
     

    A. V. Alvensleben

    *1984 in Swakopmund, Namibia

    Albrecht von Alvensleben’s works are moving at the intersection between design, photography and architecture. As a student of Zaha Hadid and Greg Lynn, he could develop his interest for architecture at the University of Applied Arts in Vienna. From 2009 to 2010 Albrecht von Alvensleben studied at New York City’s Cooper Union School of Architecture with a full tuition scholarship. The imprint for applied arts, which was mediated at university, can be found throughout the works of Alvensleben – the focus on design, interior fitting and architecture give prove of that. At the Moment Albrecht von Alvensleben works and lives in New York.

    • Julie
    • Adriana II
    • LOVE
    • Adriana I
    • Angie + Monkey
    • Dogwalk
    • Lisa Maria II
     

    Max von Treu

    *1979 in Munich, Germany

    Max von Treu was born in Munich in 1979. After his graduation at the International School of Munich he studied film, photography and media science at the University of Westminster in London. Once he earned his degree (B.A.) there followed works behind the photo- and the film camera, exhibitions of his own, and assistances for several photographers. Max von Treu lives and works as a freelance photographer in Munich since the end of 2005.

    • Untitled 706 | 2011
    • Untitled 177 | 2011
    • Untitled 357 | 2011
    • Untitled 633 | 2011
    • Untitled 212 | 2011
    • Untitled 856 | 2011
    • Untitled 402 | 2011
    • Untitled 260 | 2011
    • Untitled 136 | 2011
    • Untitled 468 | 2011
    • Untitled 154 | 2011
    • Untitled 83 | 2011
    • Untitled 52 | 2011
    • Untitled 240 | 2011
    • Untitled 321 | 2011
    • Untitled 498 | 2011
    • Untitled 603 | 2011
    • Untitled 238 | 2011
    • Untitled 660 | 2011
    • Untitled 742 | 2011
    • Untitled 357 | 2011
    • Untitled 240 | 2011
    • Untitled 858 | 2011
    • Untitled 503 | 2011
     

    Neil Craver

    As a youth in North Carolina Neil Craver begun his path as an abstract painter and figurative sculptor. His motivation grew from his interest of psychophysical effects of chroma. Photography holds all the intrinsic values of all the other arts but differers in the fact the it’s the foundation of existence. His creations are the exploration of his inner facilities in the pursuit of contemporary knowledge expressing “original thoughts”.

    “Nothing can exist without the photon, and every aspect is controlled by it’s usage”

    • untitled | 2009
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    • smile1
    • smile3
    • smile4
    • smile6
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    • smile10
    • smile11
     

    Chad Coombs

    *1982 in Saskatoon, Canada

    Chad Coombs was born in 1982 in Saskatoon, Canada. His early theoretical and especially practical occupation with paintings was affected by former attempts to reeducate his left-handedness and not entirely corrected defective vision. The camera gave the young man the possibility to accept his disability and to transform it positively. Due to the medium photography he could overcome the restrictions, which he experienced in painting. Like Richard Avedon, Chad Coombs wants to disturb and arouse the viewer, to make him feel and think. In many cases he focuses on issues and problems of the globalized world. Sometimes very subtle like in the series Future Wildlife Portrait, sometimes very radical like in the series Photoganda. Chad Coombs works were published by national and international magazines. In 2008 Chad Coombs followed an invitation of the David LaChapelle Studios to New York and worked two weeks with the team of his favourite photographer.

    • Untitled
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    • Venice
    • Hot Slots!
    • One in a million
    • Micky Mouse
    • Encore
    • Carolina
     

    Benjamin A. Monn

    *1978 in Munich, Germany

    Right from the beginning, the focus of Benjamin A. Monn’s photographic work concentrates on the occupation with architectural photography. Monn knowingly defies the genre’s established aim - namely the documentation and identification of buildings – and works on a new definition of architectural photography.   

    Since 2002 he is generating several groups of work parallel to each other. 

    • Dubai I
    • Clifton
    • Dubai II
    • Indifference
     

    Lenz Mayer

    *1979 in Munich, Germany

    2003 - 2005 study of photography at the Ruth Prowse School of Art in Cape Town

    Lenz Mayer was born in the 1970ies, in which minimalism, Land Art and the artistic colour photography made their final breakthrough in the fine arts. All three of them have their origin in the USA, where a parallel can be drawn to Lenz Mayer, as he, besides trips to Australia and the United Arab Emirates, took a lot of pictures in the United States. Mayer dedicated himself to everyday life’s objects and embodied their discreet beauty. Mayer’s alignment of trash containers as well as the garage doorways recalls the Weimar Republic’s new factual industry photographers. The landscape’s fragments, which Lenz Mayer shoots with his camera, are incumbent on a very subjective repertory. In that way the photographer creates his own characteristic landscape. By looking at the photographs, which nearly seem ruminant, the observer experiences a training of perception. The pictures invite the recipient to absorb the own, direct environment with a wide awake and focused gaze.

    • Overdose 9.0 | 2007
    • Overdose 7.0 | 2007
    • Overdose 10.0 |2007
    • Overdose 11 | 2007
    • Overdose 07 | 2007
    • Overdose 13 | 2007
    • Overdose 2.0 | 2007
    • Overdose 10 | 2007
    • Overdose 12 | 2007
    • Overdose 08 | 2007
    • Overdose 02 | 2007
    • Overdose 8.0 | 2007
    • Overdose 6.0 | 2007
    • Overdose 14 | 2007
    • Overdose 09 | 2007
    • Crossover 04 Rubens | 2006
    • Crossover 02 Tizian | 2006
    • Crossover 08 Klimt | 2006
    • Crossover 19 Carracci | 2006
    • Crossover 17 Goltzius  | 2006
    • Crossover 16 Reni | 2006
    • Crossover 10 Boucher | 2006
    • Crossover 09 Botticelli | 2006
    • Crossover 15 Tizian | 2006
    • Crossover 06 Broeklin | 2006
    • Crossover 11 | 2007
    • Crossover 18 | 2007
    • Crossover 13 | 2007
    • Crossover 14 | 2007
    • Crossover 01 | 2006
    • Crossover 12 | 2007
    • Crossover 07 | 2006
    • Crossover 03 | 2006
    • Crossover 05 | 2006
    • Overdose 20 | 2007
    • Overdose 19 | 2007
    • Overdose 15 | 2007
     

    Daniel Völker

    *1977 in Frankfurt am Main, Germany

    After his studies of American culture and Sport sciences at the „Johann Wolfgang Goethe Universität“ in Frankfurt am Main and a following sojourn at the „College of Insurance“ in New York City, Daniel Völker decided to dedicate himself to his passion, the photography.

    In 1999, he started an internship in a photographic studio in Frankfurt. In 2000, studies of photograph design followed, at the „Staatliche Fachakademie für Fotodesign“ in Munich, which he successfully absolved in 2003.

    After some years of assisting at numerous photo productions in the range of fashion, portrait and advertisement, Daniel Völker took an outtime and moved to Sydney, Australia. There, he worked for numerous magazines and layed the foundation for his later works „Crossover“ and „Overdose“.

    Back in Germany, he realized theses ideas by creating his first cycle „Crossover“. The feedback was huge. In December 2006, Daniel Völkers work was exhibited by the „Galerie d’Arts Decoratives“ during Art Basel Miami Beach. He was able to sell the majority of his work at once.

    In 2008, he animated his concepts of „Overdose“ and realized a large-scale cycle of 49 works followed by „Overdose2.0“ in 2009.

    „Crossover“, „Overdose“ and „Overdose2.0“, deal with the „vision at second sight“. It is intuition that encourages the viewers to think.“Good work of art should not just be decorative, but also lead the viewer into a deeper state of mind“, says Völker.

    Daniel Völker lives and workes in Munich and Berlin.